#Shaun of the dead watch online 123movies series
Prior to this film, and perhaps even in some areas of this film, the series has made its share of unique touches, yet conventionalism has been creeping in little by little with each installment, or at least until now, because with this film, conventionalism doesn't so much creep in as much as it dives in, because when they say that this film isn't quite as refreshing as its predecessors, they're not kidding. Well, ladies and gentlemen, it's here now, yet its being worth the wait is a bit debatable, for although this film stands as one of your better "Living Dead" installments, that's not saying much, so sure enough, this film also comes out as underwhelming, and for quite a few reasons. No, people, zombie humanization is, of all things, one of your more believable things about this entire series, and certainly makes for one of your relatively better installments in this "Living Dead" saga, which is good, because if you thought that Romero kept you waiting too long between "Night" and "Dawn", it took him twenty years after "Day of the Dead" to get this sucker out there. I like the song and all, though I suppose we may never fully understand the minds of Scots and Aussies, much less a Scot-Aussies' (Doesn't Fred from "Scooby Doo" wear Aussie-Scots?) mind, or, for that matter, singing accent (Now, don't tell me that you didn't think that Colin Hay was Jamaican when you first heard "Down Under", because you'd have an easier time figuring out that Nina Simone is a woman), but we appear to not have too much trouble with understanding the minds of zombies.
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At the very least, I was hoping for Colin Hay to show up and identify this world of the should-be buried as the real land down under, though that's partially because I wish that someone would try to make some sense out of what Hay was talking about when he said, "head full of zombie", or, well, anything in "Down Under". Shoot, forget "Land of the Lost" having more to do with zombies, I'd love to see this zombie film have more to do with "Land of the Lost" just so we could have a bunch of crazy extinct dinosaurs and Zarns scoot around as zombies and eat people. "High on the rapids, it struck their tiny raft, and plunged them down a thousand feet below, to the land of the dead!" I kind of wish that the performers in the original "Land of the Lost" were zombies, just so they would have an excuse for their deadpan acting. The jaunty undead epic 'Land of the Dead' may not be as renowned as the previous three films in the loosely connected franchise but it is by no means inferior. As with most of Romero's walking-dead films, the characters' deaths are creatively indelible such as a zombie whose head is dangling by a lone nerve fiber and a zombie who tears out a belly-button piercing for easy access to the intestines. The film contains several sublime in-jokes including the reprisal of Tom Savini's biker zombie from 'Dawn of the Dead'. We are actually engrossed in the evolutionary process of the zombie's pilgrimage to Fiddler's Green and their emergence from the silky-black water is iconic. Some people were appalled at the learning curve of Big Daddy and his throng of followers but I thought it was a fresh and revolutionary upheaval of the status quo in these movies. Romero always infuses his spine-tinglers with a blast of ripe social commentary and 'Land of the Dead' explores the post-apocalyptic class system, the distraction tactics of wartime (the zombies are inordinately fond of fireworks) and the underestimation of the enemy (zombies are pawns for amusement). George Romero had been on a self-imposed hiatus before 'Land of the Dead' but he strikes back with a vengeance in this brisk fourth installment.
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